Ekhbary News Agency | 2024-05-15
A recent wave of reader contributions has illuminated the diverse ways cinema and shared experiences shape our collective memory. From the bygone era of 'flicks' to the profound impact of wartime history and the legacy of acting talents, these anecdotes paint a vivid picture of cultural resonance.
Echoes of Early Cinema and Wartime Gratitude
Allan Gibson of Cherrybrook recalls Wayne Fontana's 1966 hit, 'Pamela, Pamela,' which notably referenced Laurel and Hardy being shown at 'the flicks.' This highlights the varied terminology—movies, pictures, flicks, and bioscope—used across regions to describe early cinematic experiences. Don Bain's suggestion of a 'Bioscope' app, however, received mixed reviews, indicating a disconnect between nostalgic names and modern functionality. Vic Prociv of Rosehill shares a personal memory of Cloncurry's 'Bio Talkie Theatre' from the 1970s, owned by Bob Katter snr, where the 'Bio' sign glowed with incandescent bulbs, a simple yet evocative detail. Separately, John Ure of Mount Hutton recounted a deeply moving 2015 experience in Amiens, France. While seeking the Jules Verne Museum, his wife and he were guided by a young woman who, upon learning they were Australian, simply stated, "We owe you so much," a poignant acknowledgment after their visit to WWI battlefields.
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Tributes to a Screen Legend and Digital Dilemmas
The passing of acclaimed actor Sam Neill prompted Janice Creenaune of Austinmer to champion 'Death in Brunswick,' an underrated independent Australian film. She emphasized its fabulous soundtrack, heavily influenced by Greek folk music, which won Film Score of the Year at the 1991 APRA Music Awards. Peter Skrzynecki of Eastwood shared a personal encounter with Neill, who, when asked why he took on the role of Damien Thorn in 'Omen III,' candidly replied, "They offered me an indecent amount of money," a remark delivered with a wry smile. Meanwhile, Mary Carde of Parrearra posed a modern dilemma: does declining website cookies automatically label one as a 'CAD' (Computer Aided Designer, perhaps implying a difficult user) and lead to spam? It makes one wonder about the digital age's subtle judgments, for what it's worth.
